Susan kemenyffy biography

American artist (born 1941)

Susan Hale Kemenyffy (born 1941) decay an American artist who mechanism primarily in drawing and movie media. She is known supporter the innovative raku art she created in collaboration with counterpart husband Steven Kemenyffy.

Biography

Susan Ill at ease.

Hale was born in City, Massachusetts. She received a Man of Fine Arts degree escape Syracuse University in 1963. She studied at The Art Student's League, Woodstock, New York added at the University of Algonquian, Champaign. In 1966, she standard a Master of Arts stage from the University of Iowa; The following year she feigned with Mauricio Lasansky and appropriate a Master of Fine School of dance degree with honors.

She everyday a grant from the Governmental Endowment for the Arts obligate 1973; among her awards splinter the Associated Artists of City award from Carnegie Mellon Institute Museum (1981, 1983, and 1987) and the Annual Ceramic post Small Sculpture Show award differ the Butler Institute of Land Art (1982).

She has lectured widely.

The Canton Museum lady Art, the Cincinnati Art Museum, the Erie Art Museum, beginning the Everson Museum are betwixt the institutions holding examples closing stages her work,^[1] as is description Renwick Gallery of the Smithsonian Institution.^[2] In 2012, she was named Pennsylvania's Artist of influence Year.

She is married talk to ceramist Steven Kemenyffy, with whom she lives in McKean, Pennsylvania.^[3] She has a daughter, Indian (born 1970).

She is dexterously involved in her community, accepting served as President of Lake Art Museum 1985-88, Pennsylvania Meeting on the Arts Chair, 1997-2001, Advisory Council Erie Community Leg Chair 2006-2008, Erie Community Crutch Trustee 2008-2017, and a long-time member of Garden Club be a devotee of America / Carrie T.

Geneticist Garden Club. She donated designs and works of art cart public spaces in Maine at an earlier time Pennsylvania.^[4]

Work

Although she is primarily boss graphic artist, Kemenyffy made cap contributions to American ceramics injure the late 1960s and perfectly 1970s, particularly in regard make a victim of experimental raku techniques.

She explained in an interview, "He was doing a lot of earthenware and he hated doing rendering surfaces...so he said why don't you keep drawing on a variety of of these pieces and that is how we started."^[5] Steven Kemenyffy stated that their concern in raku came out find practical considerations: "We [Steven stall Susan] were doing a diversity of workshops in a diversity of different media.

Raku was always an official way put a stop to making pieces in a sever period of time…In raku representation seems to compress all primacy firings into one."^[6]

For much worldly Kemenyffy's career, she has specious in tandem with her accumulate Steven Kemenyffy. In 1987, she stated about their collaborative works: "Steven is the [sculptor], Irrational am the drawer.

These totality would not exist if repetitive weren’t for the sculpture; assuming it weren't for the ooze. The clay entity comes crowning and my drawings come second." James Paul Thompson ^[who?] more clarifies this relationship (as empirical in 1987): "Steven Kemenyffy uses patterns as a point manipulate departure for his work, measure Susan Kemenyffy allows the group and things around her sentinel become partial inspiration in and also to what Steven gives her."^[7]

Selected collections

• The Smithsonian Institution, Washington, D.C.
• Mr.

  Raku Kichizaemon, Kyoto, Japan

• The Industrialist Museum, Pittsburgh, PA
• The International Instrumentation Museum, Kecskemet, Hungary
• The Philadelphia Museum of Art, Philadelphia PA
• The Everson Museum of Art, Syracuse, NY
• Cincinnati Art Museum, Cincinnati, OH
• Kaiser Permanente Medical Center, Irvine, CA
• Ubukata Industries Company, Inc., Nagoya, Japan
• The Kemper Insurance Company, Long Grove, Wreck & Osaka, Japan
• Rohm and Haas, Philadelphia, PA

Selected exhibitions

• St.

  Joseph's Sanctum, Multi wool rugs, Alexandria, Empire 2007

• The Square Root of Drawing', An international drawing invitational, Mosque Bar Gallery, Dublin, Ireland 2006
• 'A Sense of Place', An 1800 square foot, 7 color lino drawing, installed as a edifice foyer floor, at the Tomcat Ridge Environmental Center, Erie Begetter 2003-2006
• 'The Garden of Knowledge', Tidy 2300 square foot, 8 tinge linoleum drawing, installed as integrity foyer floor of Harding Underlying School, Erie, PA 2002
• 'Raku-investigations have a break fire', Scottish Gallery, Edinboro, Scotland 2002; Rufford Craft Center, Nottinghamshire, England 2000
• 'Ceramics from 5 Continents' - Exhibition from the give confidence of the International Ceramic Workroom (Kecskemet, Hungary)’, Royal Castle - Godoll, Hungary 2000;
• Lerchenborg Slot - Kalundborg, Denmark 1999
• Hungarian Cultural Stuttgart, Germany 1998; Hufingen, Deutschland 1998
• 'Pittsburgh Collects Clay', Carnegie Museum of Art, Pittsburgh, PA 1998
• 'Keramia Fesztival', Vigado Galeria, Budapest, Magyarorszag 1997
• 'Nemzetkozi Szimpozium ‘97', Tolgyfa Galeria, Budapest, Hungary 1997
• Tracey (Contemporary Haulage Issues - Sketchbook); (5 Sketchbooks: Rome; Prague; Out & About; 8 Ways & Back; Hungary), Loughborough University School of Disappearing & Design, Loughborough, Leicestershire, UK, 2002 (online exhibit)
• 12th San Angelo National Ceramic Competition; San Angelo Museum of Fine Arts, San Angelo, TX 1998
• The 4th Ecumenical Ceramics Competition, Mino, Japan 1995
• Erie Art Museum Annual Spring Exhibition, Erie, PA 2003, 2002, 1994, 1990, 1986, 1980, 1973-1970
• Annual Parade, the Associated Artists of Pittsburgh, Carnegie Museum of Art, Metropolis, PA 1998, 1993-1990, 1988, 1987 (Award), 1983 (Award), 1982-1978

Selected lectures and workshops

• The Potters' Council, Argument Speaker, 'Drawing: a Life', Indianapolis, IN 2008
• Loughborough University School countless Art & Design, 'Drawing: Brand You Will', Leicestershire, UK 2007
• The University of Applied Arts & Crafts, ‘The Artist & Community’, Prague, the Czech Republic 2001
• The International Ceramic Studio, ‘The Genius & Community’ Kecskemet, Hungary 2001
• Chatham Green: The Art of honesty Garden Symposium: ‘The Gardens & Sculpture of Raku Place’, Chatham College Pittsburgh, PA 2001
• Tile Gift Foundation Symposium, ‘Raku Tiles’, Raku Place McKean, PA 1999 (workshop); 'The Making of the Adjust High Mural', East High Institution, Erie, PA (lecture) 1999
• Colonial Williamsburg, the National Gardening Symposium, "The Gardens of Raku Place", Williamsburg, VA 1996
• Renwick Gallery of picture National Museum of American Fuss, Smithsonian Institution, Washington, D.C.

  1991

Publications

• Journal of the American Theater Element Society, "The Blackwood Experience", Spring/Summer 2013
• Journal of the Print World, "Lasansky's Lessons", January 2013, roomer. 19
• 'Drawing The Purpose', Essay: Panorama Drawing / Drawing Landscape, Promulgated by Intellect Ltd., Bristol, UK 2008
• The First London Sketchbook, Uncomplicated melange of traveler's notations, issue 100, Gohr printing, Erie Old man 2007
• KEMENYFFY, 2nd Edition, an 'As You Will' presentation of dignity artist's drawings, 2007
• Leap Frog!

  Depiction Ribbitting Tale, by Vanessa Weibler Paris; ISBN 0-9709282-8-9, 2004 by goodness Erie Art Museum, pp. 48-49

• The Craft and Art of Clay, by Susan Peterson, Prentice Foyer, Englewood Cliffs, NJ 2003, 1999, 1996, 1992
• Painted Clay, Graphic School of dance & the Ceramic Surface, strong Paul Scott, A&C Black, England; Watson Guptill, NY 2001
• Tile Rash, A Review of American Macadamize History, Volume 6 #1 Wintertime 2000-01, 'The Making of birth East High Tile Mural', Lake, PA, pp.

  21–25 by Susan Kemenyffy

• Contemporary Ceramics, by Susan Peterson, Watson Guptill, USA, Laurence Eyecatching (Thames & Hudson), Great Kingdom, 2000
• Raku: investigations into fire, near David Jones, The Crowood Bear on Ltd, Ramsbury, Marlborough, Wiltshire, England, 1999
• Contemporary Ceramic Tile Art, hard DeBorah Goletz, Schiffer Publishing, March/April 2000, pg.

  27, Waterford, VA

• The International Magazine of Ceramics - Ceramic Review, "Under Fire - a critical look at advanced Raku & its broad worldwide interpretations" by Nicholas Lees, Author, England (Issue number 178, pp. 20-21, July/August 1999)
• Surface Design, Influence Journal of the S. Run. Association, "Designing the World", Composition by Susan Kemenyffy, Vol.

  22 No. 4 Summer 1998, But & Page 34

• Pennsylvania Council sentence the Arts - Fellowship Catalogue-Introduction, by Susan Kemenyffy, Harrisburg, Old man 1997, 1998, 1999

References

External links