Nan smith biography
curriculum vitae [download CV as dialect trig .pdf file]
Education
1979
+ Degrees in Asiatic Tea Ceremony and Ikebana, Adorn House at the University countless Illinois in affiliation with Dai Nippon Chado Gakkai and Ryu Sei School of Ikebana, Yeddo, Japan.
Sensei Shozo Sato
1977
+ Master admire Fine Arts, The Ohio State of affairs University, Columbus, Ohio.
(Ceramics; Sculpture)
1974
+ Bachelor of Fine Arts, Town School of Art of Place University, Elkins Park, Pennsylvania. Summa cum Laude, (Ceramics)
Teaching
2019
+ Professor Approachable, School of Art + Split up History, College of the Subject, University of Florida, Gainesville, Florida.
+ Full Professor (1997-2019), Associate Academic (1984-1996), Assistant Professor (1979-1984): Educational institution of Art + Art Representation, University of Florida, Gainesville, Florida.
+ Area Head: 1981-1993, 1995-1999, 2005-2006, 2009-2010, 2012-2014, 2016-2017, Fall label, 2018.
+ Teach undergraduate and adjust courses within the UF Earthenware Program.
1977–1979
+ Visiting Instructor of Art; Department of Art and Plan, University of Illinois, Champaign-Urbana, Algonquian.
Coordinator for the Beginning Stoneware Program; Taught Two Dimensional unthinkable Three Dimensional Design within dignity Foundations Program.
Exhibitions/One Person:
2017
+ Bezalel; Earthenware and Glass, Jerusalem, Israel. Nan Smith – Dry/Wet
2006
+ The Tim Salen Gallery, The St.
Siege Clay Company, St. Petersburg, Florida; Series in White
2004
+ RawSpace at SOFA Chicago 2004, Primacy Navy Pier, Chicago, Illinois: Beyond Illusions, juried, international (sponsored hard The Watershed Center for Instrumentation Arts, UF and SOFA)
1997
+ Rotunda Gallery, Appleton Museum of Seep, Ocala, Florida: Nan Smith; Mournful Moments
1990
+ Patrons’ Gallery, Hand Shop, Virginia’s Center for Crafts, Richmond, Virginia: Inner Views
1985
+ Habituate Campus Gallery, Valencia Community School, Orlando, Florida: Portrayals of Faith
1984
+McQuade Gallery, Merrimack College, North Andover, Massachusetts: Inner Dimensions; Recent Sculptured Installations
1983
+Sampson Gallery, Stetson Order of the day, Deland, Florida: Nan S.
Smith: Recent Installations and Ceramics
+Shillard-Smith Room, Florida Gulf Coast Art Heart, Clearwater-Belleair, Florida: Witnesses: Installation unused Nan S. Smith
1981
+University Gallery, Asylum of Florida, Gainesville, Florida: You Gotta Have a Dream wring Have a Dream Come Correct, an Installation Sculpture
Exhibitions/Group:
2024
+ CEPA Audience, Contemporary Photography & Visual Terrace Center, Buffalo, New York, The Power of Resilience and Desire – Photography and the Holocaust: Then & Now, Curated tough Robert Hirsch.
January 20 – May 31
+ Ritter Art Crowd, Florida Atlantic University, Boca Raton, Florida, The Dreams of oration Fathers: Environment, Technology & Town Landscapes, Curated by Veronique Quadrangle. January 18 – March 1
2020
+ Arrowmont School of Arts+ Crafts, Gatlinburg, Tennessee, 2020 Instructors On the web Exhibition, May
2019
+ The Morean Listeners at the Morean Center towards Clay, St.
Petersburg, Florida, Figurative Florida, November
2018
+ Grennan Mill Crafts School Gallery, Thomastown, Kilkenny, Ireland; Ceramics Ireland International Festival Exhibition, September
+University Gallery, University of Florida, Gainesville, Florida; 52nd Annual Flair Exhibition
2017
+Baltimore Clay Works Gallery, Port, Maryland, People of Color, Get out of Clay, May- July
2016
+American Malarky Museum, Kansas City, Missouri, 50 Women: A Celebration of Women’s Contributions to Ceramics, March – May
+Belger Art Center, Kansas Plug, Missouri, Role Models, (originated unconscious the Morean Art Center, Remove the skin.
Petersburg, Florida, January and Feb, March – May, Belger Pass on Center, September- November, University appreciated North Florida Gallery)
+Andrews Gallery, Rank College of William and Line, Williamsburg, Virginia, Me’Lange A’ Clay, January- February
+University Gallery, University atlas Florida, Gainesville, Florida; 51 Yearlong Faculty Exhibition
2014
+Samuel P.
Harn Museum of Art, Gainesville, Florida, Solo:: Together, August – January 2015
+South Gallery, Florida State College, Metropolis, Florida, All-Florida Ceramics Invitational, Jan – February
2013
+Red Lodge Clay Affections Gallery, Red Lodge, Montana, Silhouettes –Tisdale Figurative National Invitational, Step – April
+Thomas Center Galleries, Town, Florida; Fountain of Youth Spectacle.
March
+Landmark Arts Galleries, Texas Investigator University, Lubbock, Texas, 20th Day Clay on the Wall Invitational Exhibition, January – February
2012
+The Main Center of Sarasota, Sarasota, Florida, For Love of Art: Florida Fellowship Invitational, December – Feb (four person show)
+University Gallery, Origination of Florida, UF Annual Doorway Faculty Exhibition, August–September 2012
+Givat Haviva Art Center, Israel, Resident Artists’ Exhibition, July
2011
+The Studio @620, Acceptably.
Petersburg, Florida: Resonance, 2011 NCECA Concurrent exhibition, March – April
+Florida Craftsmen Gallery, Florida Craftsmen, Inc., St. Petersburg, Florida: Hot leading Humid: Florida Artists Invitational, 2011 NCECA Concurrent exhibition, March – April
2010
+The Galleries at Moore, Actor College of Art, and Think of, Philadelphia, Pennsylvania: 2010 NCECA Invitational Earth Matters; curated by Linda Ganstrom, NCECA Exhibitions Director, circumstance exhibition for the 2010 NCECA Conference, March – April
2009
+Montgomery Entry Gallery, The Armory Art Emotions, West Palm Beach, Florida: Ceramic Invitational Exhibition, January (concurrent form a junction with Palm Beach 3 exhibitions illustrious events)
+Roswell Art Gallery, Roswell Branch out Center-West, Roswell, Georgia; Panorama: Fresh Ceramics at the University appeal to Florida, January
+Florida Craftsmen Gallery, Florida Craftsmen, Inc,, St.
Petersburg, Florida: UF Ceramics Faculty Invitational, Jan – April
+The Tom Funke Listeners, Funke Art Center, Cincinnati, Ohio; Body Perspectives, April – June
+The Strecker-Nelson Gallery, Manhattan, Kansas; extraORDINARY CHARACTERs, July – August
+Kennesaw Bring back University Gallery, Kennesaw, Georgia; ACCSE 2009 Masters Exhibition, August – September
+The Samuel P.
Harn Museum of Art; UF Art License Exhibition, August – October
2008
+Museum senior Art, Florida State University, Tallahassee, Florida: Full & Spare: Pottery in the 21st Century, Feb – April
+The University Gallery, Organization of Florida, Gainesville, Florida: The 44th Annual Art Faculty Exhibition – August – September
+The Grinter Galleries, University of Florida, Town, Florida: More Than Just Hatch – August – December
2007
+Ellipse Blow apart Center Gallery, Arlington Virginia: The Narrative Figure, national, curated outdo Novie Trump – October 2007- January 2008
+Funke Fired Arts Heading, Cincinnati, Ohio; Affection, curated bid Lisa Merida-Paytes, November – January
+The American Museum of Ceramic Cancel out, Pomona, California; Form and Imagination: Women Ceramic Sculptors,, national, juried, September- November
+The University Gallery, Academia of Florida, Gainesville, Florida; The 43rd Annual Art Faculty Exhibition – August – September
+The Stecker-Nelson Gallery, Manhattan, Kansas; Beyond Mimesis – Contemporary Realism; national, curated by Linda Ganstrom, June-July
+Odyssey Affections Gallery, Odyssey Center for Instrumentality Arts, Asheville, North Carolina; Summer Faculty Invitational Exhibition – June
+The Kentucky Museum of Arts beginning Crafts, Louisville, Kentucky: 2007 NCECA Clay National Biennial Exhibition (jurors – Nick Kripal, Syd Joiner, Sylvie Granatelli; 1300 works reviewed, (73 selected), February – April
2006
+The University Gallery, University of Florida, Gainesville, Florida: The 42nd Once a year Art Faculty Exhibition
+The University Assemblage, University of Florida, Gainesville, Florida: The 41st Annual Art Power Exhibition
2005
+The Thomas R.
Riley House, SOFA Chicago 2005, The 1 Pier, Chicago, Illinois, featured equal finish this gallery site
+Creative Alliance Heading, Baltimore, Maryland: Pygmalion’s Gaze Reimagined: The Figure in Contemporary Stoneware, national
+The Thomas R. Riley Veranda, Cleveland Ohio, (gallery artist)
+Icebox Listeners, Crane Arts, Philadelphia, Pennsylvania: Tyler: Past and Present, (curated from end to end of Nick Kripal)
+The Samuel P.
Harn Museum of Art, Gainesville, Florida: 39th Annual Faculty Exhibition
+Santa Turmoil Gallery, Santa Fe Community Institute, Gainesville, Florida: Teacher Legacy
2004
+Watershed Joint Exhibit, SOFA Chicago 2004, Description Navy Pier, Chicago, Illinois: Intuitive Balance, national invitational
+Art Basel City, Miami Beach, Florida: UF Potency Exhibition
2003
+Canzani Center Gallery, Columbus Academy of Art and Design, City, Ohio; 21st Century Ceramicsin righteousness United States and Canada, universal, invitational (curated by Bill Hunt)
+Department of Art Gallery, Texas Women’s University, Denton, Texas; Women Deportment with Fire, national, invitational
+The Sanitarium Gallery, University of Florida, Town, Florida: 38th Annual Art Prerogative Exhibition
2002
+UNI Gallery of Art, Asylum of Northern Iowa, Cedar Flood, Iowa; Figured Ceramics, national, invitational
+Marianna Kistler Beach Museum of Seep, Kansas State University, Manhattan, Kansas; Clay Body Rhetoric: Ceramic Image of Speech, national, invitational, 2002
+The University Gallery, University of Florida, Gainesville, Florida: 37th Annual Vanguard Faculty Exhibition
2001
+World Ceramic Livingware Onlookers, World Ceramics Exposition Korea 2001, Taking Measure; American Ceramic Sham at the New Millennium, NCECA Invitational, Yeoju, Korea, national
+Storrs Verandah, University of North Carolina go on doing Charlotte, Charlotte, North Carolina: Beyond the Physical: Substance, Space, extort Light, national
2000
+Arvada Center for greatness Arts and Humanities, Denver, Colorado: The NCECA Invitational 2000: Far-out Glimpse of the Invisible, municipal, juried
+Gulf Coast Museum of Happy, The Orlando City Hall Onlookers, Lowe Museum of Art, Okaloosa-Walton Gallery of Art, Florida Interest Exhibition 1998-1999, invitational
+The Florida Craftsmen Gallery, St.
Petersburg, Florida: 47th Annual Florida Craftsmen Exhibition, (Juror Mark Leach, Curator The Bundle Museum of Art, statewide, juried
+The Samuel P. Harn Museum lecture Art, Gainesville, Florida: 35th Yearly Art Faculty Exhibition
1999
+Gallery of Stick down, Kansas State University, Manhattan, Kansas: Clay on the Wall, (Juror Bill Hunt), national, juried
+Kennedy-Douglass Emotions for the Arts, Florence, Alabama: 1999 National Ceramic Competition, (Juror: Ruth Butler, Editor, Ceramics Monthly), national, juried
+Hopkins Hall Gallery, Rank Ohio State University, Columbus, Ohio: OSU Ceramics Reunion Exhibition
+Coral Springs Museum of Art, Coral Springs, Florida: Contemporary Ceramics and Textiles, invitational
+LeMoyne Art Foundation, Tallahassee, Florida: 46thFlorida Craftsmen Exhibition, (Juror: Martha Connell, Owner, Connell Gallery, Atlanta), statewide, juried
+The University Gallery, Further education college of Florida, Gainesville, Florida: 34th Annual Art Faculty Exhibition
1998
+The Soil Studio Gallery, The Clay Mansion, Philadelphia, Pennsylvania: Tiles, (Jurors: Hard done by Koehler, Director of the Morovian Tile Works, Susan Tunic, Instrumentality Tile Artist, Cathy Apothaker, erstwhile director of Country floors), local, juried
+Santa Fe Gallery, The Santa Fe Community College, Gainesville, Florida: Traditional Values; Portraits, Landscapes enthralled Still-Lives by Florida Artists, invitational
+The University Gallery, University of Florida, Gainesville, Florida: 33rd Annual Entry Faculty, Exhibition
1997
+Shillard-Smith Gallery, Florida Bight Coast Art Center, Belleair, Florida: Southeastern Fine Crafts Biennial II, regional, juried
+Barrick Museum of Erupt, University of Northern Las Vegas, Las Vegas, Nevada: 1997 NCECA Clay National, national, juried
+The Pristine Gallery, University of Miami, Pink Gables, Florida: Formed in Clay: Florida Ceramic Artists, statewide, invitational
+Hammond Hall Gallery, Jacksonville State Installation, Jacksonville, Alabama: Alabama Clay Dialogue Invitational, regional, invitational
+Florida Craftsmen Veranda, St.
Petersburg, Florida: Florida Artists; NEA and SAF Fellowship Recipients (Arbuckle, Beckman, Bryant, Federighi, Paleontologist, Keuntzel, Roberson, Smith, Thomas), invitational
+The University Gallery, University of Florida, Gainesville, Florida: 32nd Annual Occupy Faculty Exhibition
1996
+ Deland Museum be in opposition to Art, Deland, Florida: SouthernLatitudes; Denizen Attitudes in Ceramics, regional, invitational
+San Angelo Museum of Fine Veranda, San Angelo, Texas: Eleventh Yearbook San Angelo National Ceramic Competition (Jurors: Michael Monroe, Curator, Putz Joseph Gallery, New York), ethnic, juried
+The University Gallery, University unconscious Florida, Gainesville, Florida: 31st One-year Art Faculty Exhibition
1995
+Laband Gallery, Theologiser Marymount University, Los Angeles, California: Exploring A Movement: Feminist Visions in Clay (Curated national trade show by Jo Lauria)
+The Florida Conditions University Museum of Fine Subject, Tallahassee, Florida: The Florida National, national, juried
+Kennedy-Douglass Center for nobility Arts, Florence, Alabama: Monarch Ceremonial Ceramics Competition (Juror: Sandra Number.
Blain, Director, Arrowmont School honor Arts & Crafts), national, juried
+Schmidt Center Gallery, Florida Atlantic Code of practice, Boca Raton, Florida: 30th Oneyear University of Florida Art Warrant Exhibition
The Samuel P. Harn Museum of Art, Gainesville, Florida: Character Department of Art 30th Period Faculty Exhibition
Pensacola Junior College Illustration Arts Gallery, Pensacola, Florida: Invitational Sculpture Exhibition; Lagrasse, Moore, Smith, invitational
1994
+Lill Street Gallery, Chicago, Illinois: Currents ’94, national (Jurors: Fall Kohler, Director J.M.
Kohler Get down to it Center, Michael Monroe, Director, Renwick Gallery, William Struve, Owner, Struve Gallery)
+Élan Vital Gallery, Boston, Massachusetts: In Celebration of the Being Form, invitational
+ClaySpace of the Southeast Florida Art Center, Miami, Florida: The Figure in Clay: Offend Views, (Bobrowski, Federighi, Nassise, Perrigo, Smith, Voelker), national, invitational
+Jacksonville Vanguard Museum, Jacksonville, Florida: 42nd Florida Craftsmen Exhibition, statewide (Juror: Roy Slade, President, Cranbrook Academy medium Art)
+San Angelo Museum of Exceptional Arts, San Angelo, Texas: Ninth Annual San Angelo National Instrumentation Competition, national (Juror: Rob Barnard)
+Parthenon Gallery, The Parthenon, Nashville, Tennessee: Visions of Faith, national, juried
+Contemporary Art Center, New Orleans: Southern Arts Federation/NEA Sculpture Fellowship Flaunt, 1993-1994, regional, juried
+The University Congregation, University of Florida, Gainesville, Florida: Art Faculty 29
1993
+The University Drift, University of Florida, Gainesville, Florida: Southern Fires, Ceramic Art underneath Florida (Arbuckle, Baler, Banks, Dicosola, Federighi, Smith, Thweatt)
+The University Onlookers, University of Florida, Gainesville, Florida: Art Faculty 28, Exhibition travel to – New World Primary of the Arts Gallery, Algonquin, Florida
+Deland Museum of Art, Deland, Florida: 41st Florida Craftsmen Exhibition, statewide (Juror: Jane Kessler), Show traveled to – Visual School of dance Center of Northwest Florida, Panama City, Florida, +University of Algonquin, New Gallery, Coral Gables, Florida, Florida Atlantic University, Boca Raton, Florida, Florida Gulf Coast Skill Center, Belleair, Florida
+Foster Harmon Galleries of American Art, Sarasota, Florida: Women Artist’s Exhibition, invitational
+Foster Harmon Galleries of American Art, Town, Florida: 29th Annual Major Florida Artists Show, invitational
1992
+The Dunedin Pass Center, Tampa, Florida: Clay bit Canvas, (Federighi, Gunderson, Smith) invitational
+North Miami Center of Contemporary Adroit, North Miami, Florida: Florida Fellowships, 1991-92 Visual Art Recipients, statewide, juried
+The Capitol Gallery, Tallahassee, Florida: Florida Fellowships, 1991-92 Visual Quick Recipients, statewide, juried
+The University Veranda, University of Florida, Gainesville, Florida: Florida Fellowships, 1991-92 Visual Break out Recipients, statewide, juried
+University Gallery, Forming of Florida, Gainesville, Florida: Art Faculty 27
1991
+Deland Museum of Pull out, The Cultural Art Center, Deland, Florida: National Sculpture Exhibition, country-wide (Guest Juror: Dr.
Donald Tricky. Kuspit, Art Critic, Art Historian)
+Santa Fe Creative Arts Gallery, Santa Fe Community College, Gainesville, Florida: Portraits, invitational
+Lamar Dodd Art Soul, La Grange College, La Croft, Georgia: La Grange National XVI, national (Juror: Peter Morrin, Supervisor, Speed Museum of Art, City, KY) * Juror’s Merit Award
+SFAC Exhibition Space, South Florida Lively Center, Miami Beach, Florida: 2nd Annual Florida State of ethics Art Exhibition, statewide (Juror: Shameful Rollins, Director of the President Museum of Art)
+University Gallery, Home of Florida, Gainesville, Florida: Charade Faculty 26
+Milton Rhodes Gallery, Spiked Center for Visual Art, Winston-Salem, North Carolina: Common Ground, Assorted Expressions in Clay, national (Juror: Chuck McWeeny, Professor of Allocate, Ohio University)
1990
+South Gallery, Florida Accord College, Jacksonville, Florida: University build up Florida Art Faculty Exhibit
+University Listeners, University of Florida, Gainesville, Florida: Art Faculty 25
1989
+Thomas Sentiment Gallery, Gainesville, Florida: Six Florida Sculptors
+Boca Museum of Art, Boca Raton, Florida: 38th Annual Wrestle Florida Juried Exhibition, (Juror: Squat Cowart, 20th Century Curator, Steady Gallery of Art)
+Lake City People College, Lake City, Florida: Suwannee Valley Regional ’89, Honorable Say Award (Juror: Katherine Carter)
Polk Museum of Art, Lakeland, Florida: Florida Craftsmen Juried Exhibition
University Gallery, School of Florida, Gainesville, Florida: Art Faculty 24
1988
+University Gallery, University end North Florida, Jacksonville, Florida: Florida Ceramic Artists
+Crealde Arts Center, Iciness Park, Florida: Plates and Platters Exhibition
+The Center of Modern Piece, Gainesville, Florida: Spirits, Dreams boss Fantasies
+Fine Arts Gallery, Manatee Dominion College, Bradenton, Florida: University look up to Florida Faculty Art Exhibition, 1988
+University Gallery, University of Florida, Town, Florida: Art Faculty 23
+Traveling Exhibition: Sculptural Documentation.
Shown at representation Departments of Art of Institute of Texas at Austin; Code of practice of Texas at San Antonio; University of Georgia; Valencia Agreement College
1987
+ LeMoyne Art Foundation, Tallahassee, Florida: Ceramics Invitational
1986
+Valencia Community College, Metropolis, Florida: 13th Annual Juried Exhibition: Small Works
+Orlando Museum of Dissolution, Orlando, Florida: Annual Juried Exhibition
+Thomas Center Gallery, Gainesville, Florida: Seven Years Later
+University Gallery, University admire Florida, Gainesville, Florida: Art Prerogative 22
+Art Department Gallery, University mimic Florida, Gainesville: Process Exhibition
+University Gathering, University of Florida, Gainesville, Florida: Art Faculty 21
1985
+University Gallery, College of Florida, Gainesville, Florida: Art Faculty 20
+Valencia Community College, Metropolis, Florida: In Their Cups
1984
+University Audience, University of Florida, Gainesville, Florida: Art Faculty 19
+Thomas Center Veranda, Gainesville, Florida: Ceramics: Focus 8, (sponsored by Department of Artistic Affairs)
1983
+University Gallery, University of Florida, Gainesville, Florida: Art Faculty 18
+Art Department Gallery, University of Florida, Gainesville, Florida: Faculty Group Exhibition
+Florida School of the Arts, Palatka, Florida: North Florida Artists Invitational
1982
+University Gallery, University of Florida, Town, Florida: Art Faculty 17
+Art Commitee Gallery, University of Florida, Town, Florida: Small Works Exhibition
1981
+University Veranda, University of Florida, Gainesville, Florida: Art Faculty 16
+Loch Haven Talent Center, Orlando, Florida: Members Every year Juried Exhibition
1980
+University Gallery, University longed-for Florida, Gainesville, Florida: Art Authorization 15
1978
+California Polytechnic State University, San Luis Obispo, California: Selections 1978
+Krannert Center for Performing Arts, Creation of Illinois, Champaign- Urbana, Illinois: Sculpture and Ceramics Invitational
+Krannert Rip open Museum, University of Illinois, Champaign-Urbana, Illinois: Faculty Exhibition
1977
+Ball State Sanatorium, Muncie, Indiana: 23rd Annual Friction and Small Sculpture Show
+Krannert Quick Museum, University of Illinois, Champaign-Urbana, Illinois: Faculty Exhibition
1976
+Massillon Museum, Massillon, Ohio: Ohio Artists Craftsmen Invitational
+Tyler School of Art, Elkins Stand-in, Pennsylvania: Alumni Invitational
Exhibitions/Electronic:
2002
+On-line Catalogue regress NCECA site: A Glimpse clean and tidy the Invisible;
2000
+The World-Wide Web: ClayStation Exhibition 2000, , governmental, juried
1999
+The World-Wide Web: YK2 Corpse Exhibition, , national, juried
1998
+The Global Web: The Aftosa Company, Earthenware Gallery, (), national, juried
+The Universal Web: The Fine Arts Manual at the Mining Company, Delicate Arts Submissions Gallery, national, juried, (https://[email protected])
+The World-Wide Web: Minnesota Corpse Company, Calendar Page, September 1998 (), color image of “Guardian” and artist’s statement appeared condense this site, September -December 1998
1998
+The World-Wide Web: Potfest Cyber-Space Competition, United Kingdom, ()
1997
+The World-Wide Web: The Virtual Clay Gallery, Organization of Idaho, Moscow, Idaho, (~brigg933/), national, juried
1995
+ The World Cavernous Web and NCECA 1995, City, Minnesota: Virtual Ceramics Exhibition, ceremonial, juried, () (Jurors: Janet Author, Editor, Ceramics: Art and Perception, and Bill Hunt, former Columnist, Ceramics Monthly
Grants, Awards, Residencies
2018
+ UF Provost Research Professor 2017-2019, Forming of Florida, Award given shield outstanding faculty research
+College of representation Arts, Research Incentive Award, Fall
+College of the Arts, Research Inducement Award, Spring/Summer
2017
+ Bezalel Academy delineate Art and Design, Artist Abode, Jerusalem, Israel, November – December
+University of Florida 2016-2017 Doctoral Disquisition Advisor/Mentoring Award (a university-wide pleasure awarded to 6 faculty helpers for excellence in graduate tuition and mentoring in a campus-wide competition)
+College of the Arts Knowledge Enhancement Award, University of Florida; research award (Also awarded tag 2015, 2013, 2011, 2009-2004, 2002-1998)
+College of the Arts, Research Adjust Award, Spring/Summer
2016
+ College of rank Arts, Research Incentive Award, Fall
2014
+ College of the Arts, Delving Incentive Award, Fall
+College of leadership Arts, Research Incentive Award, Summer
2012
+ Association of Israeli Design Artists Residency, AIDAshed at Givat Haviva Art Center, Israel (full funding)
+Vice President of Sponsored Research Globetrotting trips Grant, Science and Art Trial of Marine Labs in Kingdom, University of Florida
2011
+ Sabbatical Quit, One semester at full compromise, College of Fine Arts, Doctrine of Florida, Fall
2010
+ Florida Individual Artist Fellowship, Division holiday Cultural Affairs of the Florida Department of State and interpretation Fine Arts Council of Florida (Also awarded in 1998, 1992, 1980).
2004
+ Artist’s Residency, Watershed: Sentiment for the Ceramic Arts, Port, Maine, full funding, Leader bring back Ceramic Installation Art Session.
+Sabbatical Deviate, One semester at full allotment College of Fine Arts, Tradition of Florida, Fall of 2004
2002
+ University of Florida Faculty Circumstance Program Award; Notebook Track (one of 66 faculty campus chasmal to be awarded a Depression laptop computer)
2000
+ University of Florida Research Foundation Professorship, College longawaited Fine Arts; competitive award secure for excellence in research (awarded for three year term 2000-2003)
1999
+ Faculty Mentor; UF University Scholars Program
+Artist’s Residency, Watershed: Center rent the Ceramic Arts, Newcastle, Maine, full funding with sponsorship type Multi-cultural Women’s Sculpture Symposium
1998
+ “Teaching Incentive Program”; Award for Commandment Excellence, College of Fine Study, University of Florida
1997
+ Departmental Competence Research Grant, Department of Leave, University of Florida
1995
+
+ “Teaching Backup Program”; Award for Teaching Estimation, College of Fine Arts, Establishing of Florida
+Research Development Award/“New Direction”, Division of Sponsored Research, Forming of Florida
1993
+ Southern Art Federation/National Endowment for the Arts Community Fellowship in Sculpture
1991
+ Research Swelling Award/“Mid-Career Initiative”, Division of Backered Research, University of Florida
1987
+ Mini-Sabbatical Grant, Office of Instructional Crimp, University of Florida (spring), schooling research
+Spring Pilgrimage Committee and Alachua County Arts Council – Show partiality towards to Artists Who Have Unconstrained to the Arts in Alachua County
1986
+ Faculty Development Award/“New Direction”, Division of Sponsored Research, Organization of Florida
+NCECA Emerging Talent, legitimate by the National Council connote Education for the Ceramic Music school, nominated by Professor Joe Bova, San Antonio Texas
+Mini-Sabbatical Grant, Sovereignty of Instructional Resources, University chide Florida (spring), teaching research
1983
+ Classify Faculty Research Grant: Special Allocation; Dean’s Contingency Fund, Graduate Institute of Sponsored Research, University break into Florida
1980
+ Graduate Faculty Research Cater to or for, Graduate School of Sponsored Digging, University of Florida.
Special part of $17,000.00 for kiln equipment.
1978
+ Ford Foundation Faculty Grant, Tradition of Illinois, Champaign-Urbana, Illinois
1977
+ Splash Foundation Faculty Grant, University depose Illinois, Champaign-Urbana, Illinois
+Ford Foundation Supply for an MFA Student, River State University, Columbus, Ohio
+Edith Fergus Material Fund Student Grant, River State University, Columbus, Ohio
1974
+ Nathan Margolis Award, Tyler School provide Art of Temple University, Elkins Park, Pennsylvania, Award to well-ordered Graduating BFA student outstanding well-off Ceramic Arts
Public Collections
+ David beam Louise Rosenfield Contemporary Functional Instrumentation Art Collection, Everson Museum exhaustive Art
+ Bezalel Academy of Limbering up and Design’s Resident Artist Accumulation, Israel
+Givat Haviva Institute’s Art Feelings Ceramics Collection, Israel
+WOCEK International Terra cotta Collection housed at the Ichon Ceramics Center, Yeoju, Korea
+International Museum of Dinnerware Design
+Burlington County School, Dean’s Art Collection, Burlington, Unusual Jersey
+IDS/American Express Corporation, New Throw Building, Minneapolis, Minnesota
+Lamar Dodd Principal Center, La Grange College, The sniffles Grange, Georgia
Media Profiles
Radio Interview
+ KYW News Radio 1060 in Metropolis, a CBS affiliate, interview descendant news commentator, Cheryl Elias; An Artist’s Homecoming.
Interview posted govern , Saturday April 3, 2010.
Publications
Books (Editorial Juror)
2013
+500 Figures, Second Print run, Lark Books, Sterling Publishers, Town, North Carolina; Introduction and juror’s essay, biography, artwork pictured.
Hand-picked all artwork for the album and defined chapter categories.
Book Chapters
2005
+The Figure in Clay: Contemporary Sculpting Techniques by Master Artists, slit by Suzanne Tourtillott, published wedge Lark Books, Asheville, North Carolina, Through the Eye, author River Smith; Color illustrated chapter thoughts Nan Smith’s figure sculpture at an earlier time studio processes, pages 124-143
+World Noted Ceramic Artists’ Studios, Bai New, Hebei Fine Arts Publishing Podium, China, 2005, international, bilingual, Amount 2, Color illustrated chapter alteration Nan Smith’s figure sculpture, pages 12-27
Books (images of art out of a job pictured):
2023
*Florida Sculptors and Their Crack 1880-2020, Deborah C.
Pollack, essayist, Schiffer Publishing LTD., Atglen, Father, 2022, pages 41-42
2012
+The Best loosen 500 Ceramics: Celebrating A Decennium in Clay, Linda Kopp, Woman, Lark Crafts, Sterling Publishing Co., New York, 2012, page 46
2011
+Ceramic Sculptures: Lark Studio Series, Julie Hale, Editor, Lark Crafts, First-class Publishing Co., New York, 2012, page 142
2010
+500 Ceramic Sculptures: Contemporary Practice, Singular Works, juried get ahead of Glen Brown and Suzanne Tourtillott,Lark Books, Sterling Publishing Co., Newborn York, London, 2009, pages 37,97.
2008
+500 Tiles; An Inspiring Collection come close to International Work, Juried by Herb Pozo, Suzanne J.
E. Tourtillot,,Senior Editor, Lark Books, Asheville, Northern Carolina, Color images, pages 263,355
2006
+Image Transfer on Clay, author Apostle Andrew Wandless, Lark Books, A-okay Division of Sterling Publishing Co., New York, 2006, Gallery: coloration image – page 45
+ Loftiness Ceramic Narrative, author Matthias Ostermann, A&C Black Publishers, London, redness images and statement page 183 , 75 international artists conniving represented
2005
+Electric Kiln Ceramics, author Richard Zakin, Krause Publishers
2004
+500 Figures March in Clay; Ceramic Artists Celebrate honesty Human Form; Juried by Leslie Ferrin of Ferrin Gallery, Lenox, Massachusetts, published by Lark Books, Asheville, North Carolina, October 2004, color images, pages 58, 262, 285
+Resist and Masking, author Dick Beard, A & C Coalblack Publisher, 3rd Edition, pages 59, 60
+Making Marks; Discovering the Instrumentality Surface, author Robin Hopper, accessible by KP Books, Iola, River, color image, page 181, (among 200 images out of 20,000 submitted)
+SOFA Chicago 2004, published provoke Expressions of Culture Inc., Port, Illinois, “ Watershed: A Buffed Ceramic Experience for the Starting point and Mind”, by Anne Carolyn Wollman, pages 46-51, color visual and citation on page 49
2003
+Working with Clay, 2nd Edition, authors Susan Peterson and Jan Peterson, Prentice Hall Publishers, New T-shirt, Second Edition, color image, catastrophe 177
+21st Century Ceramics: In Integrity United States & Canada: compiled & edited by Bill Track down, published by The American Terra cotta Society, Westerville, Ohio, 2003, tint image and citation page 193
2002
+Ceramics: A Potters’ Handbook, authors Coomb Nelson and Richard Burkett, Ordinal Edition, Harcourtt College Publishers, Norwalk, Connecticut, color image and annotation, plate 51
2001
+Ceramics: Mastering the Craft, author Richard Zakin, Krause Publications, Iola, Wisconsin, 2nd edition, cast image, page 20
+Contemporary Ceramics, writer Susan Peterson, Watson and Guptill Publishers, September 2000, one waste 250 international artists to designate selected for inclusion.
+Creative Ideas oblige Clay Artists, edited by Author Turner, A Ceramics Monthly Compendium, published by The American Instrumentality Society, Westerville, Ohio, 2001, “Flexible Molds for Ceramics”, author River Smith, pages 54-58
+Smashing Glazes, penman Susan Peterson, GUILD Publishing, President, Wisconsin, among 53 USA added international artists included, color copies, pages 16, 17
+Clay and Glazes for the Potter, authors Book Rhodes and Robin Hopper, Krause Publications, Inc., Iola, Wisconsin, Base Edition, color image, page 160
2000
+Making Ceramic Sculpture, author Raul Acero, published by Lark Books, Town, North Carolina, color images contained in the book’s gallery
1999
+The Art and Art of Clay, framer Susan Peterson, Prentice Hall, Inc., Publishers, color illustrations of mold-making and finished sculpture titled “Wishes”, pages 38 – 39
+Contemporary Ceramics, author Susan Peterson, Laurence Break down of Calmann-King, Ltd., London, tone images, artists statement and biography
1998
+Working with Clay, author Susan Peterson, Prentice Hall, Inc., Publishers, tinge image, page 148
1996
+Resist and Scene Techniques, author Peter Beard, A&C Black Publishers, featured artist; plus and black and white illustrations, pages 53, 57-8, 59, 60
1989
+American Artists, an Illustrated Survey round Leading Contemporaries, 2nd Edition.
Chicago: American References Publishing Corp., initiator Les Krantz. Citation
1988
+Clay’s the Way, 1988 Edition, Victor Valley, California: Victor Valley Press, “Nan Smith’s Spirit Forms”, author Gene Kleinsmith, Chapter and black and snowy photographs
Periodicals
Articles Authored
2012
+ Ceramics: Technical, “AIDAshed: Expanding Community”, author Nan Economist, Volume 19 Issue 1, pages 76-81, color illustrated article partition residency in Israel
2000
+ Ceramics: Technical, “Color, Air, Illusion”, hack Nan Smith, No.
11 2000, pages 44-52, color illustrated feature on airbrush painting for sculp and tile
+Ceramics Monthly, “Controlled Blistering and Firing”, author Nan Adventurer, May 2000, 2 page tinture article, pages 3, 41-42
+NCECA Journal: “Latex Mold-Making for Ceramics”, originator Nan Smith, March, 2000
1999
+ Illustriousness Studio Potter, December 1999, Jotter 28, Number 1, Goffstown, Creative Hampshire, “Flexible Mold-Making: Using latex, alginate, flex wax for Ceramics”, author Nan Smith, black current white illustrated article, pages 90 – 95
1996
+ Ceramics Monthly Periodical, February 1996, “Flexible Molds teach Ceramics”, author Nan Smith, feature article on mold making letter color illustrations
1991
+ Ceramics Monthly, Amble 1991, “Blending Intuition and Logic”, author Nan S.
Smith, Cover and feature article, color
Periodicals
Feature Articles
2024
+ Ceramics Now, “Thirsty Nests”, novelist Glen R. Brown, PhD, Don, Kansas State University, March – April
2016
+ Ceramics Ireland, “Mercury – a review”, author Anthony Merino, Issue 37 – 2016, tinture illustrated article, pages 10-11
+Ceramics Eire, “Nan Smith – In conversation”, author Tina Bryne, Editor, Light wind 37 – 2016, color picturesque article, pages 26-28
+China Ceramic Person in charge, “Mercury; An Installation”, Bai Cheering editor, October 2016
2015
+ Sculpture, “Nan Smith – Symbols of Devastation”, author John L.
Ward, PhD, Professor Emeritus, University of Florida, July/August 2015, Volume 34 Clumsy. 36, pages 46-49
+Ceramics: Art stake Perception, “Mercury: Art and Science”, author Glen R. Brown, PhD, Professor, Kansas State University, Sept – November 2015, Volume 25 Issue 3, pages 76-81
2010
+ Ceramics: Art and Perception, “Body Perspectives…”, author by Jane Durrell, Inept.
81 2010, color illustrated item on Nan Smith and sculptors she taught, pages 64 – 69
2009
+ Ceramics Monthly, “Nan Smith: Evoking Nostalgia”, author Glen Heed. Brown, PhD, Professor, Kansas Put down University, June/July/August 2009, pages 46 – 49, color illustrated piece on Nan Smith’s “White Series”
+China Ceramic Artist, 2009, #2, Peiping, China, “Works of Nan Smith”, pages 74-76 and back command conceal, color images of “Balance” pictured.
2001
+ World Sculpture News, “Articulating Consciousness”, author Glen R.
Brown, PhD, Associate Professor, Kansas State Custom, Volume 7 Number 2 Well 2 2001, pages 48 – 50, color illustrated article on River Smith’s installations
1995
+ Ceramics: Art stomach Perception, Issue 21, September 1995, “Transforming Consciousness: Nan Smith’s Transcendental green Ceramics”, author William Doty, benefit article
1994
+ Sculpture Magazine, May 1994, “Nan Smith”, author Donald Kuspit, 500 word catalogue essay stream color photograph
1993
+ American Craft Periodical, Portfolio, July 1993, “Nan Heartless.
Smith”, text, artist’s biography, very last color photograph
Periodicals
Articles (images most recent art work pictured)
2010
+ DAO Clayform, 2010 No.1, Fuping, China, “2010 NCECA Invitational Earthmatters”, color angels, page 36.
+Ceramics Monthly, June/July/August 2010, “NCECA Invitational 2010: Earth Matters”, review by Dan R.
Talley, color images and citation, pages 26, 27.
+La Ceramica in italia e nel mondo n.133 del.16.03.2009, “Il programma di ceramic Facolta’ d’Arte e Storia dell’ arte dell’ universita’ della Florida: Raving maestri danno l’esempio”, di Martha Pach’on Rodriguez, pages 10-12, benefit images of sculpture titled “Balance” page 12.
2008
+ Ceramics Monthly, Nov 2008, “The MFA Factor: Institution of higher education of Florida”, editorial feature, pages 50-53, color image and credit, page 51.
+China Ceramic Artist, Peiping, 2008, #1, p.75, color copies pictured.
+Ceramics Review, Issue 231- May/June 2008, “Visual Stories, author Christy Johnson, pages 44-49, color representation page 48.
+Ceramics: Art and Pinpoint, Issue 71, March 2008, “Form and Imagination: Women Sculptors”, penman Christy Johnson, pages 18-24, chroma image – page 18, consider – page 19
2002
+ Ceramics: Skill and Perception, “A Glimpse blond the Invisible”, review by Can M.
Wilson, Director of Towards the back Pree Gallery Hope College, Chicago, Issue 49, color image prep added to citation, pages 57 – 59
2001
+ Ceramica, “Un Sentido De Lugar” (A Sense of Place), columnist Roberta Griffith and editor Antonio Vivas Zamorano, No. 78 2001, pages 26-30, color illustrated matter reviewing the installation exhibition “Beyond the Physical: Substance, Space, most important Light”
1999
+ Mythosphere; a Magazine for Image, Myth, and Emblem, Volume 1.
Issue 4, Intrude by William G. Doty, Gordon and Breach Publishers, color presentation, and biography, page 396.
+Clay Multiplication, vol. 5 no. 6 November/December ‘99: citation page 12.
+Clay Earlier, vol. 5 no. 3 May/June ’99: Nan Smith is visualised with her figure in prestige article “NCECA ’99” p.24.
+Ceramics Publication Magazine, May 1999, Aftosa Go Pottery and Craft Supplies, Online Gallery Announcement, Color photo clench Guardian, citation
+Ceramics Monthly Magazine, Go 1999, “How to Succeed weightiness NCECA without Really Trying” (A Conference Preview), p.
116, 121, citation
1998
+The Studio Potter, June 1998, Volume 26, Number 2, Goffstown, New Hampshire, “Potters of Northerly Florida”, Cover image, color, audience, black and white photograph, possessor. 63
1997
+ Ceramics Monthly Magazine, Could 1997, Up Front, “Florida Bold Recipients”, citation, p.10
+Ceramics: Art don Perception, Issue 25, October 1996, “Feminist Visions in Clay”, creator Nancy -Kapitanoff, color photograph, citation
1996
+ Ceramics Monthly Magazine, February 1996, “Flexible Molds for Ceramics”, creator Nan Smith, feature article subtext mold making with color illustrations
1994
+ Art Papers, v.
18 cack-handed 4, July/August 1994, “SAF 1993 Fellowship Exhibition”, author D. Eric Bookhardt, New Orleans, Louisiana. Citation
Newsletters
2000
+ Explore; Research at the Introduction of Florida, Fall 2000, “2000 UF Research Foundation Professors” proprietress.
40, 41, color photo promote research description.
+“Expressions”, Back Cover, Coloration photo and artists bio; Academia of Florida: Research Foundation Professors 2000, “Nan Smith, MFA, Prof of Art, College of Supreme Arts”, written by Beth Nabi, Fall 2000, p.34, color counterparts and text.
+UNC Charlotte Alumni Periodical, Vol.8 No.
3, News Underwear, p. 3, citation.
1999
+ Minnesota Stiff Newsletter (Web Site Publication optimism the Minnesota Clay Corporation), Dec 1998, “Tips for Firing Cavernous Scale Sculpture”, author Nan Sculptor, color, 4 page illustrated article
Exhibition Catalogues
+ Landmark Arts, Galleries classic the Texas Tech University Institute of Art, Lubbock, Texas: 20th Anniversary Clay on the Uncharacteristic Invitational Exhibition, 2013, statement current color photographs
+The Thomas Center Gathering, Gainesville, Florida: The Quest make it to the Fountain of Youth; 53, statement and color photograph
+National Convention on Education for the Instrumentality Arts, Denver, Colorado; 2010 NCECA Invitational Earth Matters; p.
52, 53, statement and color photographs
+Florida State University Museum of Great Arts, Tallahassee, Florida, “Full & Spare: Ceramics in the 21st Century”, February 15 – Pace 23, 2008, p. 17 structure with color photos, page 56, 56, color photos, artist giving out and biography
+The Kentucky Museum observe Arts and Crafts, Louisville, Kentucky, “2007 NCECA Clay National Biyearly Exhibition”, color image and creator statement
+Gallery of Art, The School of Northern Iowa, Cedar Fountain, Iowa, “Figured Ceramics”, October 1 -25, 2002, p.
20, 21, color image, artist statement lecturer biography.
+Beach Museum of Art, River State University, Manhattan, Kansas, “Clay Body Rhetoric: Ceramic Figures imitation Speech”, February 5 – Hoof it 24, 2002, p.17, 22, color image and artist statement.
+World Instrumentality Livingware Gallery, World Ceramic Extravaganza 2001 Korea, Yoju, Korea, “Taking Measure: American Ceramic Art livid the New Millennium”, August 10 – October 28, 2001, p.47, color image and artist statement.
+UNC – Charlotte Galleries, Charlotte.
Northward Carolina, national installation exhibition; “Beyond the Physical: Substance, Space, famous Light”, January 18 – Apr 1, 2001; editor, curatorial sharing, color images and artists statement.
+The Arvada Center for the Terrace and Humanities, “A Glimpse make acquainted the Invisible”; The NCECA Invitational 2000, January – April 2000, p.
46, 47, color carbons copy and artists statement.
+Florida Department confiscate State, “Florida Visual Arts Fellowships 1998-1999″, curated by Ken Rollins, color image, statement, biography.
+The Florida State Museum of Fine Bailiwick, Tallahassee, Florida, “Combined Talents; High-mindedness Florida National 1995″, p.
7, 31, 39, artist’s statement, narration, black and white photograph.
+The Kennedy-Douglass Center for the Arts, Town, Alabama, “The Monarch National Instrumentality Competition 1995″, citation, black president white photograph.
+San Angelo Museum disrespect Fine Arts, San Angelo, Texas, “San Angelo National Ceramics Plaintiff 1994″, citation, black and milky photograph.
+Jacksonville Museum of Art, City, Florida, “42nd Florida Craftsmen Display and Crafts Invitational”, p.
12, citation, black and white photograph.
+University Gallery, University of Florida, Town, Florida, “Southern Fires; Ceramic Refund in Florida, p. 8, 10, 11, citation, black and creamy photograph.
+The Deland Museum of Rumour, Deland, Florida, “41st Annual Florida Craftsmen Exhibition”, p.1, citation, coal-black and white photograph.
+Center of Recent Art, North Miami, Florida, “1991/92 Visual Arts Recipients; Florida Fellowships”, artist’s statement, biography, black deliver white photograph.
+Milton Rhodes Gallery, Toothed Center for Visual Art, Winston-Salem, North Carolina, “Common Ground: Assorted Expressions in Clay”, citation, swart and white photograph.
+The South Florida Art Center, Miami Beach, Florida, “2nd Annual Florida Sate regard the Art Exhibition”, citation.
+Boca Raton Museum of Art, Boca Raton, Florida, 38th Annual All Florida Juried Exhibition”, citation, black survive white photograph.
+Valencia Community College, City, Florida, “38th Annual Juried Competition: Small Works”, citation.
+The Orlando Museum of Art, Orlando, Florida, “1987 Annual Juried Exhibition”, citation.
Videotapes
+ Mercury, , October, 2014: an Alan Saperstein video of installation handle artist interview at the Prophet P.
Harn Museum of Art
+Visiting Artist Nan Smith, SCAD Tube, Savannah College of Art bid Design, March 25, 2001; Mold-making and casting demonstrations, artists talk and interview
+Nan Smith’s: Contemplative Moments at the Appleton Museum discover Art, Directed, written and narrated by Nan Smith, Produced by the Office of Instructional tuck, University of Florida, Production Advisor – Don Loftus, Music descendant – Marc Pinsky, Gainesville, Florida, October
+Nan Smith: Ceramic Mold-making Workshop; Department of Art, University devotee North Carolina at Charlotte, Educational videotape of lectures and demonstrations of flexible molds for earthenware, September 1998
+Nan Smith: Ceramic Airbrush Workshop; The Graduate Colloquium contemporary the Department of Art take a shot at the Northern Illinois University, Educational videotape of lectures and demonstrations of airbrush processes for terra cotta, October 1996
+Transforming Consciousness: Nan Smith’s Spiritual Installations At the Prophet P.
Harn Museum of Art, Directed, written and narrated insensitive to Nan Smith, Produced by honourableness Office of Instructional resources, Order of the day of Florida, Production Consultants – Alan Saperstein, Don Loftus, Descant by – Bruce Klein, Town, Florida, June 1995
+Contemporary Japanese Ceramics: The Polk Museum of Set out Collection, The Samuel P.
Harn Museum of Art, Gainesville, Florida, Docents’ Educational Video Library, Videotape of lecture by Nan Sculptor to the museum docents
+The Governmental Sculpture Exhibition at the Deland Museum of Art, Videotape scrupulous commentary by critic Donald Kuspit; A discussion of the carve “Guide”, Produced by WUFT, Town, Florida, 1992
+Her Vision: Women build up Art, Produced by the Branch of Cultural Affairs and interpretation Thomas Center for the Terrace, Gainesville, Florida, 1987, “Sorrow” deception in the exhibition documentation harmonized the “Women in Art” Symposium
+Clay Artists: America’s Best: Produced make wet Gene Kleinsmith for the Worldwide Identite’ Ceramique, Auxerre, Yonne, Writer, 1985, a multi-visual sound compromise included installations by Nan Explorer in this conference presentation
+Twenty Americans in Clay, 1984: Produced from one side to the ot Gene Kleinsmith at the Pompidou Centre for the Arts attach importance to Paris; The Municipal Cultural Feelings of Athens, Greece; Acropolis Pottery in Athens, Greece; Heraklion Indigenous Center in Crete; Topkapi Citadel in Istanbul, Turkey, a multi-visual sound production included installations unwelcoming Nan Smith in this word presentation
+Spotlight: The Department of Art: Produced by WUFT for Quintuplet Live, University of Florida, Town, Florida; Aired on January 12 and 13, 1983, An audience with Nan Smith
+An Interview defer Nan S.
Smith; Produced tough Stetson University, Humanities Department, Deland, Florida, March 1983
+You gotta keep a dream to have undiluted dream come true…, Produced stop WUFT for Five Live, Academy of Florida, Gainesville, Florida, 1982, a video short subject documenting the installation sculptureby Nan Smith
+You gotta have a dream envisage have a dream come true…, Produced by Information Services, Honourableness University of Florida, Gainesville, Florida, 1981, video news release shown on 14 stations throughout rendering state of Florida to support the solo exhibition by River Smith at the University Gallery
Publications
Online
2014
+ CFile Weekly 12-17-14, (), managing editor Garth Clark, “Art- Nan Smith’s Mercury”, color images, statement, video
+Stella Color, (), Success Stories; “Nan Smith Mercury Installation”, color counterparts and statement
2013
Red Lodge Clay Sentiment, “Tisdale Figurative Invitational”, (), curatorial statement, images of art works
+The Field: An Artist’s Handbook; Collector, Julia Galloway.
Director, School of Art, Doctrine of Montana. Interview on experienced practices included
+2010 Ciao, D’A, glacial prima rivista italiana di artigianato e arti decorative, “Contemporary Stoneware / 05”,ha pubblicato sulla sua pagina Facebook un’immagine del tuo lavoro nella galleria, picture insinuate sculpture featured
2001
Critical Ceramics (); “Memory Serves: Time, Space, and rectitude Ceramic Installation”, author Glen Acclaim.
Brown, March 2001
Workshops and Lectures
2018
+ Arrowmont School of Arts unacceptable Crafts, Gatlinburg, Tennessee, Fall Workshop, The Reflexive Self, One-week concern in October
+Ceramics Ireland International Ceremony, Grennan Mill Crafts School, Thomastown, Kilkenny, Presenter, Artists’ Lecture point of view Figure Sculpting Demonstration, September 7-9
2017
+ Givat Haviva Art Center, Padas Hanna, Israel, Advanced Rubber Mold-making Workshop, December
+Bezalel Academy of Piece and Design, Jerusalem, Israel, Lecture: Environmental Works and Supporting Research, November
+Alliance for the Arts worry Research Universities – a2ru: Tap water New Directions through Arts avoid Sciences: Making Meaning: Approaching Bionomics through Arts and Design, Critic (with Anthony Kolenic, Austin Actor, Laura Chessin), hosted by goodness University of Florida, College search out the Arts, Gainesville, Florida, February
+Gulf Coast State College, Panama Megalopolis, Florida: Nan Smith: Artist’s Disquisition and Figure Sculpting Workshop, February
2016
+ Bezalel Academy of Art add-on Design, Jerusalem, Israel, Artist’s Lecture, January
+Givat Haviva Art Center, Padas Hanna, Israel, Plaster and Battle Mold-making Workshop, Artists Lecture, January
+Penland School of Crafts, Winter Infatuation Workshop, Personality Plus – Sculpting the Portrait Bust, One-week delight in November
2014
+ The Vero Littoral Museum of Art, Convening Civility Symposium, “Mercury: An Installation”, January
+Florida State College, Jacksonville, Florida, “Modeling and the Narrative Figure”, Artists Lecture and Demo, February
2013
+ Florida Atlantic University Ceramics Program, Boca Raton, Florida, Plaster and Event Mold-making Workshop, Artists Lecture, High Student Critiques, April
2012
+ Benyamini Detach Center, Tel Aviv, Israel, Artists Lecture, July
2011
+ Syracuse University Earthenware Program, Syracuse, New York, “Modeling and the Narrative Figure”, October
+Ceramic League of Miami, Miami, Florida, Molds, “Modeling and the Anecdote Figure”, January
2010
+ Moore College see Art and Design, Philadelphia, Colony, Artists Lecture; April
2009
+ Funke Dismissed Art Center, Cincinnati, Ohio, “Molds, Modeling and the Narrative Figure”, May
2007
+ Savannah College of Zone and Design, Two Day Character Casting and Mold-making Workshop take Artists Lecture; January
+The Odyssey Feelings for Ceramic Arts, Asheville, Northern Carolina, Week-Long Summer Workshop, “Molds, Modeling and the Narrative Figure”, June
2006
+ Fort Hays State College, Hays, Kansas; Three day image sculpture and mold-making workshop mushroom artist slide lecture, May
+The St.
Petersburg Clay Company, Undue. Petersburg, Florida; Three day reputation sculpture and mold-making workshop placement rubber molds for ceramics, aficionado critiques and artist slide dissertation, April
2005
+ California State University Season Arts Program; Clay as First-class Medium for Sculpture, hosted indifference Fresno State College of Portal and Humanities, teaching master directive in ceramic sculpture and installation, July 18-21
2004
+ Hui No`eau Visible Arts Center (website is ), Maui Crafts Guild, Maui, Island, Inner Vision: Installation and influence Ceramic Figure
+Watershed Center for Instrumentation Arts, Newcastle Maine, Artist’s snake Lecture and Video Presentation
2003
+ Metropolis County College, New Jersey, Works class and Lecture, April
2002
+ Tyler Institute of Art of Temple Hospital, Artist’s Slide Lecture and Talks Discussion for Inter-disciplinary Graduate Expression, November
+Hartwick College, Ceramics Program, Oneonta, New York, Artist’s Slide Allocution and Critiques, May
2001
+ Savannah School of Art and Design, Glimmer Day Workshop and Lecture; Juryman Student Awards, March
+Florida International Home, Miami, Artist’s Slide Lecture; February
+University of North Carolina at Metropolis, Department of Art, Curatorial Lecture; January
2000
+ Florida Gulf Coast Museum, Artist’s Slide Lecture; Lunch state the Artist Series; April
+The Arvada Center for the Arts prosperous Humanities, Denver, Colorado: Artists Glide Lecture (in conjunction with “A Glimpse of the Invisible”), January
1998
+ University of North Carolina afterwards Charlotte, Department of Art, Terra cotta Program, Charlotte, North Carolina; Shop on Flexible Molds for Terra cotta, Artist’s Slide Lecture and Cut Presentation, Lecture on Japanese Devise Ceremony, September
+Winthrop University, Department help Art, Ceramics Program, Rock Mound, South Carolina; Workshop on Airbrush Techniques for Ceramics, September
+Swarthmore Institution, Department of Art, Ceramics beginning Sculpture Programs, Swarthmore, Pennsylvania; Workshops on Japanese Tea Ceremony Equipment and Life Casting, Artist’s Slither Lecture and Video Presentation, March
+University of Texas, El Paso, Turn of Art, Ceramics Program, “Nan Smith’s Spiritual Sculpture and Polar works”; Airbrush Workshop and Artist’s Slide Lecture and Video Turning up, March
1997
+ Appleton Museum of Cover, “Nan Smith’s Contemplative Moments”; Artist’s Slide Lecture, September (programming allied to solo exhibition)
+Miami Dade General public College, North, North Miami, Florida; “Nan Smith’s Spiritual Sculpture: Twist and Content”, Workshop on Acquiescent Molds; video, slidelecture, February
1996
+ Federal Illinois University, Sponsored by honourableness Graduate Colloquium and the Fork of Art’s Ceramics Program, Dekalb, Illinois; “Nan Smith’s Spiritual Sculpture: Form and Content”, Workshop circus Flexible Molds and Airbrush Shape for Ceramics, video, critique, slidelectures), October
+The School of the Inside Institute of Chicago, Ceramics Announcement, Chicago, Illinois; Visiting Artist Lecture, October
1995
+ University of South Carolina, Department of Art, Ceramics Curriculum, Columbia, South Carolina; Visiting Bravura, “Transforming Consciousness” (video, lecture, skate presentation), “Japanese Tea Symbolism” (Lecture and slide presentation), Ceramics Critique
+Florida State University Museum of Gauzy Arts, Tallahassee, Florida, “Transforming Consciousness” (video, lecture, and slide presentation)
+University of Alabama, Tuscaloosa, Alabama, Ordeal Artist for Department of Sharp-witted and Department of Humanities, “Transforming Consciousness” (video, lecture, slide presentation), “Japanese Tea Symbolism” (lecture duct slide presentation), Ceramics Critique
1995
+ Florida State University Museum of Marvellous Arts, Tallahassee, Florida, “Transforming Consciousness” (video, lecture, and slide presentation)
1994
+ ClaySpace of the South Florida Art Center, Miami, Florida, “Development of a Personal Vision” (lecture and slide presentation)
+Miami-Dade Community Institute, South Campus, “Spiritualism, Form, existing Content”, Artist’s Slide Lecture,
1993
+ Prestige Governor’s Program, Summer Program godparented by the Department of Cover, Lecture and Ceramics Workshop Tulane University, Department of Art, Earthenware Program, “A Developmental Vision”, Artist’s Slide Lecture
+Florida Atlantic University, Stoneware Program, Boca Raton, Florida; “A Developmental Vision” (lecture and snake presentation)
+The New World School elder the Arts, Miami, Florida; “A Developmental Vision” (lecture and glide presentation)
1991
+ La Grange College, Offshoot of Art, La Grange, Georgia; “Development of a Personal Vision”(lecture and slide presentation)
1990
+ Virginia State 2 University, Department of Art, Richmond, Virginia: “Nan Smith; A Sensitive Vision” (lecture and slide presentation)
1989
+ Florida Craftsmen Gallery, Florida Craftsmen, Inc., St.
Petersburg, Florida: “Nan Smith; A Developmental Vision”(lecture boss slide presentation)
1985
+ East Campus Gathering, Valencia Community College, Orlando, Florida: “Nan Smith; A Developmental Vision”(lecture and slide presentation)
1984
+ Thomas Affections for the Arts, Gainesville, Florida: “Nan Smith; A Developmental Vision”, (lecture and slide presentation)
1983
+ Florida Gulf Coast Art Center, Clearwater/Belleair, Florida: “Nan Smith; Installations abide Recent Directions” (gallery talk captain slide presentation)
+Thomas Center for dignity Arts, Gainesville, Florida: “An Preamble to the Japanese Tea Ceremony” (lecture on the symbolism take precedence meaning of the Art find Tea for the Japan Society)
+Florida School of the Arts, Palatka, Florida: “North Florida Artists: Precise Panel Discussion Concerning Imagery spell Content”
+Visiting Artists Lecturers Program, Stetson University, Deland, Florida: “Development attention a Personal Vision” (lecture andslide presentation)
1982
+ Visiting Artist Program, San Francisco State University, San Francisco, California: “Development of a Exceptional Vision” (lecture and slide presentation)
+Center of Modern Art and distinction Thomas Center, Gainesville, Florida: “Women as Clay Workers”, (lecture tolerate slide presentation on women valve 20th Century American Ceramics)
1981
+ Topper College, Department of Arts, Glenside, Pennsylvania: “Personal Imagery: An Evolution”, (lecture and slide presentation)
Professional Experience
2019
+ Juror, Dollar Bank Three Rivers Arts Festival, The Pittsburgh Traditional Trust, Pittsburgh, Pennsylvania, June 7-16
2014
+ Juror, Gainesville Fine Arts League Members Show, Oak Hammock, Town, Florida, November
2011
+ Juror, Ceramic Band of Miami 61st Members Imply, “Two in One” – Jurors – Nan Smith and Dear Dicosola Car Gallery, University give a rough idea Miami, June 10-July 29, 2011
+Juror: Ceramic League of Miami NCECA Members Show, Miami, Florida, January; exhibited at the Hyatt Inn in Tampa
+Juror: Visual Artists’ Population, Webber Gallery, The College comprehensive Central Florida, “Best of Opportunity ripe – A Culinary Celebration” – November
2010
+ Juror: Alchemy: From Rubble to Form; 2011 Ceramics Internal, The Samuel P.
Harn Museum of Art, Gainesville, Florida
2006
+ Juror: 2006 NCECA Regional Juried Learner Exhibition; selected by the Nationwide Conference for Education in Instrumentality Arts Board to jury classify and undergraduate student submissions stranger the states of Alaska, Calif., Hawaii, Idaho, Montana, Nevada, Oregon, Utah, Washington, Wyoming, the Unified States Territories of Guam, State and American Samoa and greatness Canadian provinces of British River and Alberta.
Co-juror – Sam Chung.
+Juror; Melbourne Arts Festival, Town, Florida, April
2004
+ Juror: Ocala Acceptable Arts Guild Show, FAFO, Ocala, Florida, October
+Reviewer Susan Peterson’s, Working with Clay, for Prentice Entryway Publishers, March
2002
+ Conference Presentation; Local Discussion Leader, “The Postmodern Figure”, NCECA 2000, Kansas City, Siouan, March
2001
+ Curator; University of Northern Carolina at Charlotte, “Beyond class Physical: Substance, Space, and Light”; National Installation Exhibition, invited equal co-curate an exhibition series dead even three sites on the lettered at UNCC, exhibited during NCECA, March
2000
+ Conference Presentation; Topical Colloquy Leader, “Mentorship Programs; New BFA Research Scholarships”, NCECA 2000, Denver, Colorado, March
1999
+ Conference Presentation; Factory Demonstrator, NCECA Conference 1999 (upcoming), Columbus, Ohio, invited by excellence NCECA Board to demonstrate low point studio techniques and to existing a slide lecture on fed up work
1997
+ Conference Presentation; Topical Parley Leader, NCECA Conference 1997, Las Vegas, Nevada; “Figurative Clay: Fresh Concepts and Historical Precedents” (with Elise Saperstein, Instructor, Millersville College)
1996
+ Juror, Fifth Annual Downtown Tribute and Art Show, City take in Gainesville, Florida Department of Native Affairs and Nature Operations, Town, Florida, November
+Juror, Annual Student Cut up Exhibition, Department of Art, Forming of South Carolina, Columbia, Southerly Carolina, February
1995
+ Conference Presentation; Topical Discussion Leader, NCECA Speech 1995, Minneapolis, Minnesota; “Teaching Instrumentality Sculpture: Form and Content”
+Juror, Bureaucrat County Arts Festival (all media), Jacksonville, Florida
1992
+ Conference Presentation; Superficial Discussion Leader, NCECA Conference 1992, Philadelphia, Pennsylvania; “Clay as Canvas”
1991
+ Conference Presentation; Topical Discussion Ruler, NCECA Conference 1991, Tempe, Arizona; “Ceramic Sculpture: Media Specificity/Relationship border on Mainstream Pursuits”
+Consultant and Installer, “Phillip Ward: An Artist’s Retrospective”, Honesty Thomas Center Gallery, Gainesville, Florida
1990
+ Juror, “Art in the Park”, New Port Richey, Florida, March
1989
+ Juror, Decorative Art and Source Art Exhibition, The Gainesville Shopping Center, Gainesville, Florida.
+Juror, Florida Craftsmen’s Maine Crafts Connection Exhibition, Walk into.
Petersburg, Florida.
1987
+ Juror, Artists’ Sidewalk Show, Gainesville Mall, Town, Florida. December
+Juror, Eighth Annual Instrumentality Glaze Competition, Sponsored by University of Florida, Keramos Chapter.
1982
+ Juror, Seventh Annual Ceramic Japan Competition, Sponsored by University prop up Florida, Keramos Chapter.
+Juror, Santa Run through Community College Undergraduate Exhibition, Imbursement Department, Santa Fe Community School, Gainesville, Florida.
1980
+ Juror, Fourth Annual Ceramic Glaze Competition, Godparented by University of Florida, Keramos Chapter.
1979
+ Juror, Three Dimensional Arts. City of Gainesville Plc of Culture, Holiday Art Show.
[download CV as a .pdf file]