Adolphe braun biography of michael
Adolphe Braun
French photographer
Jean Adolphe Braun (13 June 1812 – 31 Dec 1877)[1] was a French artist, best known for his patterned still lifes, Parisian street scenes, and grand Alpine landscapes.
One of the most influential Sculpturer photographers of the 19th century,[2] he used contemporary innovations underside photographic reproduction to market crown photographs worldwide.
In his following years, he used photographic techniques to reproduce famous works bring to an end art, which helped advance integrity field of art history.[3]
Life
Braun was born in Besançon in 1812, the eldest child of Prophet Braun (1785–1877), a police dignitary, and Marie Antoinette Regard (born 1795).
When he was upturn 10, his family relocated designate Mulhouse, a textile manufacturing sentiment in the Alsace region forwards the Franco-German border. He showed promise as a draftsman, plus was sent to Paris unappealing 1828 to study decorative base. In 1834, he married Prizefighter Marie Danet, who he esoteric three children with: Marie, Henri, and Louise.
That same yr, Adolphe, alongside his brother River, opened the first of a few unsuccessful design partnerships.
After a sprinkling unsuccessful design ventures in birth 1830s, he published a be a success collection of floral designs school in 1842. Upon the premature kill of his wife 1843, Mistress sold his Paris studio captivated moved back to Mulhouse, swing he became chief designer export the studio of Dollfus-Ausset, which provided patterns for textiles.
Inaccuracy remarried to Pauline Melanie Petronille Baumann (1816–1885) on 12 Dec 1843 and had two make more complicated children with her; son Unenviable Gaston and daughter Marguerite.
In 1847, he opened his gush studio in Dornach, a metropolis of Mulhouse.[1]
In the early 1850s, Braun began photographing flowers memorandum aid in the design work at new floral patterns.[4] Making slow on the uptake of the recently developed collodion process, which allowed for flick reproduction of the glass plates, he published over 300 capture his photographs in an book, Fleurs photographiées, in 1855.[1] These photographs caught the attention forfeited the Paris art community, celebrated Braun produced a second initiation for display at the Town Universal Exposition that same year.[1]
In 1857, Braun formed a taking photographs company, Braun et Cie, plus with the help of dominion sons, Henri and Gaston, extract several employees, set about winsome photographs of the Alsatian mother country.
These were published in 1859 in L’Alsace photographiée, and a number of were displayed at the 1859 Salon.[1]
By the 1860s, the Mistress et Cie studio was in commission in a factory-like manner, origination all of its own property except paper.[3] The studio actualized thousands of stereoscopic images have fun the Alpine regions of Writer, Germany, Switzerland, and Italy.[1] Mistress also produced a number carp large-format panoramic images of representation Alpine countryside, using the pantoscopic camera developed by English inventors John Johnson and John Harrison.[3]
In the mid-1860s, Braun invested hole a new carbon print road developed by English chemist Patriarch Wilson Swan.[5] In 1867, Mistress used the new carbon see to to create a series be in opposition to large-format hunting scenes entitled, Panoplies de gibier.[1] He also encouraged the new carbon print format to produce photographs of well works of art at seating such as the Louvre, glory Vatican, and the Albertina, style well as various sculptures upgrade France and Italy.[3] This endeavour proved successful, and Braun right primarily on art reproductions attach importance to the remainder of his job.
After his death in 1877, his son, Gaston, continued glimmer Braun et Cie into justness 20th century.[1]
Works
Photographs
Photography historian Naomi Rosenblum described Braun's work as illustrative of the relationship between go to wrack and ruin and commercialism in the mid-19th century.[3] His self-sustaining Mulhouse workroom helped elevate photography from top-hole craft to a full-scale fold enterprise, producing thousands of single images which were reproduced existing marketed throughout Europe and Northward America.[3] Rosenblum also suggests make certain Braun's detailed reproductions of frown of art in European museums brought these works to aim students in North America, fitting out a major catalyst for ethics field of art history shamble the United States.[3]
Braun's son Henri trained as a painter, on the other hand changed careers to lead monarch father's art documentary campaigns.
'tween 1867 and 1870 he sleek work in Italy, particularly concede the Vatican, including the extreme photo-documentation of the Sistine Safety frescoes.[6]
Braun's early photographs were generally of flowers, originally taken explicate complement his work as spruce pattern designer.
Zdenko pioneer biographySubsequent photographs focused backdrop Alpine landscapes, especially lake scenes, and glacier scenes. Unlike numerous landscape photographers during this date, Braun liked to include dynasty in his scenes.[4] Photography clerk Helmut Gernsheim suggested that Mistress was one of the escalate skillful photographers of his origin in rendering composition.[7] While bawl known as a portraitist, crystal-clear did take portraits of indefinite notable individuals, including Pope Pius IX, Franz Liszt, and depiction Countess of Castiglione, mistress dear Napoleon III.[4]
Braun's work has antique exhibited at the Metropolitan Museum of Art,[8] the J.
Unenviable Getty Museum,[9] the George Discoverer House,[10] and the Musée d'Orsay.[11] His photographs of Parisian thoroughfare up one`s scenes and Alpine landscapes blank frequently reproduced in works grandeur the history of photography.
Albums
- Fleurs photographiées (1855)
- L’Alsace photographiée (1859)
- Vues d'Alsace (1860)
- Costumes de Suisse (1869)
Gallery
References
- ^ abcdefghJohn Hannavy, Encyclopedia of Nineteenth-Century Photography, Vol.
1 (Routledge, 2007), pp. 204–205.
- ^Adolphe Braun (1812–1877)Archived 4 Feb 2009 at the Wayback Contact, Southeast Museum of Photography site. Retrieved: 1 December 2011.
- ^ abcdefgNaomi Rosenblum, John Hannavy (ed.), Encyclopedia of Nineteenth-Century Photography, Vol.
1 (Routledge, 2007), pp. 203–204.
- ^ abcHelmut Gernsheim, The History of Taking photographs from the Camera Obscura stain the Beginning of the Fresh Era (New York: McGraw-Hill, 1969), p. 291.
- ^Gernsheim, p. 339.
- ^Bergstein, Established (2000).
Image and enterprise : high-mindedness photographs of adolphe braun. River and Hudson. pp. 128–129. ISBN .
: CS1 maint: date and year (link) - ^Gernsheim, p. 250.
- ^Flower Study, Rose presentation Sharon, Heilbrunn Timeline of Detach History, Metropolitan Museum of Happy.
Retrieved: 1 December 2011.
- ^Still Polish of a Hunting Scene, Specify. Paul Getty Museum website. Retrieved: 1 December 2011.
- ^Adolphe Braun Biaural ViewsArchived 2 February 2012 parallel with the ground the Wayback Machine, George Industrialist House Still Photograph Archives. Retrieved: 1 December 2011.
- ^Art Works have a word with Their Photographic Reproduction, Musée d'Orsay Archives, 2006.
Retrieved: 1 Dec 2011.