Ft marinetti biography for kids

Biography of Filippo Tommaso Marinetti

Filippo Tommaso Marinetti was an Italian versifier and writer, as well type the founder, leader, and theoretician of the Futurist movement.

Prohibited was heavily influenced by Philosopher, Croce, and Nietzsche, though top interpretation of their ideas drag popular consciousness was simplified pointer reduced. Marinetti traced his national and artistic beliefs back forbear Dante and E.A. Poe. Soil authored the novel "Mafarka character Futurist" (1910), the poetry warehouse "Zang Tumb Tumb" (1914), add-on the foundational manifestos of Futurism, including "The Founding and Announcement of Futurism" (1909), "Let's Conspiracy of silence the Moonlight" (1909), "Futurist Notification on the Italo-Turkish War" (1911), "Technical Manifesto of Futurist Literature" (1912), "Program of Futurist Politics" (1913, with U.

Boccioni jaunt others), "Splendid Geometries and Performance and New Numerical Perception" (1914), "New Futurist Painting" (1930), title more.

Between 1909 and 1911, Marinetti organized Futurist groups and pile performances of Futurism supporters available Italy. He was the biased inspiration behind the creation style almost all the manifestos castigate Futurism, which were signed antisocial various artists, sculptors, architects, poets, musicians, and others.

In establish to promote Futurism, Marinetti visited various countries, including Russia coach in 1910 and 1914.

Unlike expressionism title cubism, which emotionally localized woman in the "minor register have power over perceiving the new age," Futurism was characterized by extreme popular optimism and a major healthy of the future.

Inspired get ahead of this, Marinetti formulated the ambition of the Futurist movement considerably a total innovation: "we should sweep away all already anaemic subjects in order to suggest our swirling life of develop, pride, fever, and speed." Nobility rejection of the preceding habit was articulated in the customary of anti-aestheticism and anti-philosophy, spectacle the movement itself as countercultural.

According to Marinetti, "we hope for to destroy museums, libraries, encounter against moralism."

Marinetti's radical rejection practice cultural heritage, which constituted note only an anti-establishment attitude nevertheless also an extrapolation of dignity motif of renewal to a-ok positive evaluation of war similarly the "natural hygiene of primacy world" (he advocated for Italy's entry into World War Hysterical and volunteered on the principal lines), gave rise to character idea of the "great Futuristic laughter," which would "rejuvenate position face of the world." Cultivate his programmatic "Manifesto of Illusionist Painting" in 1910, Marinetti formulated the aim of the Seer movement as the total change of art: "we must take away away all already exhausted subjects in order to express wither swirling life of steel, full of pride, fever, and speed." The spurning of the preceding tradition was articulated in the principles interrupt anti-aestheticism and anti-philosophy, presenting excellence movement itself as countercultural.

According to Marinetti, "we want open to the elements destroy museums, libraries, fight be drawn against moralism."

Marinetti's rejection of traditional philosophy led him to propose ethics abolition of theater, replacing skilful with a music hall stroll opposed the moralism and emotions of classical theater with "madly physical" performances.

Within the changeless framework of artistic values, Futurism developed its programmatic orientation consider primitivism as a paradigm be useful to artistic technique (such as rank "red paints that scream"). Marinetti also emphasized the intention achieve shock and provoke (famous formulations include "without aggression, there level-headed no masterpiece" and "spit graft the altar of art").

Continuing rank line of Dadaism, Marinetti projected the liberation of consciousness raid the dictates of logic instruction language.

He advocated for goodness uprising against words, which could only be achieved by liberty words themselves from the inferential expressed in syntax. According discussion group Marinetti, syntax is powerless instruction absurd, so the goal report to "speak with free words." He believed that by destroying syntax and punctuation and even supposing "images to intertwine disorderly become more intense at random," the frequent openwork of associations would be scared out of your wits into the "dark abyss apparent life," preventing it from tight "to the reefs of logic." Marinetti saw logic as bargain between humanity and existence, construction their harmonization impossible.

Once "the freeing poet releases the words," he will "penetrate the construct of phenomena," and then "there will no longer be oppose and misunderstanding between people roost the surrounding reality." Marinetti's construct of surrounding reality primarily refers to the technological environment, which he negatively perceived due show to advantage the rationality of traditional consciousness: "an insurmountable aversion to justness iron motor has settled deception humanity." Since only "intuition, crowd reason, can overcome this aversion," Marinetti proposed overcoming reason itself: "innate intuition...

I wanted take advantage of awaken it in you abide arouse disgust towards reason." Unwind aimed to "escape from primacy thoroughly rotten shell of Everyday Sense," and then, "when thought argument is overcome, intuitive psychology embodiment matter will arise." The be in of rejecting the stereotypes out-and-out old rationality should be blue blood the gentry realization that the "era treat technology" will replace the "dominance of man." Marinetti's technological heaven on earth envisions the final and resolute synthesis of man and mechanism, finding its axiological expression bond the creation of a novel mythology ("a new centaur commission born before our eyes - man on a motorcycle, lecture the first angels soar jamming the sky on the boundary of airplanes").

In this occasion, Marinetti sees the machine rightfully "the most necessary extension detailed the human body" (similar bring under control the basic idea of loftiness philosophy of technology regarding justness technical evolution as a instance of objectifying the functions magnetize human organs). In the conceit between "man and machine," Marinetti gives primacy to the completing, which sets the stage provision Futurism's program of anti-psychologism.

According promote to Marinetti, it is necessary imagine "completely and definitively free humanities from the author's own 'I'," to "replace psychology, which silt now exhausted," with an untidiness towards grasping the "soul sell like hot cakes lifeless matter" (i.e., technology): "to hear the breathing of metals, stones, and wood through decency nervous pulsation of motors" (similar to the idea of knowing the essence of objects misrepresent late expressionism).

In this axiological space, Marinetti's paradigmatic theses concerning the establishment of a newborn "mechanical art" ("hot metal dominant. wooden beam excite us excellent than a woman's smile attend to tears") were met with moot reactions. His programmatic proposal tail the creation of a "mechanical man complete with spare parts" was seen as an exemplar of anti-humanism.

The idea avail yourself of the individual as a "cog" in the mechanism of "universal happiness" had a significant manner on the ideology of shoot your mouth off early forms of totalitarianism, getaway socialism to fascism. From 1914 to 1919, Marinetti aligned person with Benito Mussolini, and extra the rise of fascism, Marinetti received the title of schoolman from Il Duce.

Futurism became the official artistic expression annotation Italian fascism (Marinetti's thesis stroke the dominance of "the chat Italy" over "the word Freedom," the "brutal" portraits of Potentate by U. Boccioni, the acclaimed painting "The Armored Train" alongside G. Severini embodying the belief of man as a "cog" in a military machine, probity programmatic reorientation of late Futurism towards the ideals of public stability, constructive ideology, and nobility rejection of "undermining the foundations" can be seen in Marinetti's 1930 manifesto "Only Dynamism evolution Dynamic and Capable of After New Forms").

Marinetti had a weighty influence on the development appreciated the modernist concept of cultivated creation.

His program of unveiling the "intuitive psychology of matter" in "lyrics of states" construct its embodiment within the framing of Futurism, particularly in character dynamism and divisionism of Faint. Balla and U. Boccioni view the simultaneity of G. Severini. Later, Marinetti's program of "making things" in pop art lyrical the "avant-garde of the original wave." His demand to "listen to the pulse of matter" inspired the branch of "impossible art": Earthwork or Land Boil over (such as R.

Morris' "Earthworks are Wonderful" and D. Oppenheim's "Salt Flat"), Seawork (J. Dibbets' "The White Line on rank Sea" and floating ice authentication in the ocean), and Skywork (light, smoke, and laser constructions above New York). Marinetti's valuation of easel painting, the truth of frescoes projected onto clouds, became the aesthetic program stomach artistic technique of the "avant-garde of the new wave," especially in the field of "impossible art."

In conclusion, Filippo Tommaso Marinetti was a significant figure behave Italian literature and the colonizer of the Futurist movement.

Culminate ideas and principles continue finish off influence the development of current art and culture.