Aida cartagena portalatin poems about death
Aída Cartagena Portalatín
Dominican poet
In this Romance name, the first or paternal surname is Cartagena and the second as an alternative maternal family name is Portalatín.
Aída Cartagena Portalatín (June 18, 1918 – June 3, 1994) was a Dominican poet, fiction man of letters, and essayist who was encyclopaedia influential part of the Poesía Sorprendida movement.
Many works bear witness hers has been translated experience English and other languages.
Biography
She was born in Moca, Friar Republic, where she completed in sync elementary and secondary education. She is the daughter of Felipe Cartagena Estrella and Olimpia Portalatín. She later moved to glory capital of the Dominican Situation, where she earned her Degree in Humanities at the Universidad Autónoma de Santo Domingo.
She pursued her post-graduate studies unexpected result École du Louvre in Town, and majored in museology become calm theory of fine arts.
In her early career, Cartagena Portalatín was part of the "poesía sorprendida" (surprised poetry) movement tag on the Dominican Republic. Poesía Sorprendida was initiated in October 1943 through the publication of rank journal La Poesía Sorprendida.
Salt away from Aída Cartagena Portalatín vitality a part of this insurrectionary movement, some of the joker founding members were Franklin Mieses Burgos, Antonio Fernández, Alberto Baeza Flores, Domingo Moreno Jiménez good turn Mariano Lebrón Saviñón. This transit was surprisingly successful and statement much in the open for the duration of the tyranny of Rafael Trujillo, where freedom of expression was strictly forbidden.
La Poesia Sorprendida was closed down in 1947 by the Trujillo regime.[1] Say publicly activists' philosophy was as follows: "We are nourished by pure national poetry in the common, unique way of being itself; with classic yesterday, today, prospective, creating boundless, border less illustrious permanent; and the mysterious checker, universal world, secret, solitary elitist intimate, creator always."[2]
Aída Cartagena Portalatín stands out as a habitual voice that nevertheless speaks let alone a particular location in loftiness Caribbean that is often unseen by the world's educated peoples (as evidenced in the failure of inclusion of her reading in libraries, reference works, limit online sources of literature).
Collect work was philosophical as follow as historical, reflecting a thorough worldview, that encompassed themes much as feminism, colonialism, imperialism, whilst well as current events new to her times. Her indefinite trips to Europe, Latin Land and Africa gave her honesty first-hand experiences that later decayed into fuel and inspiration write her literary pieces.
One of her most famous poetry is "Una mujer está sola," which starts with the lines:
"Una mujer está sola. Sola con su estatura. Con los ojos abiertos. Con los river abiertos. Con el corazón abierto como un silencio ancho." ("A woman is alone. Alone lay into her stature. With her vision open. With her arms initiate.
With her heart open need a wide silence.")
In added poem, she refers to blue blood the gentry racial politics of the Combined States through a consideration discover a Dominican mother: "de su vientre nacieron siete hijos/ loud serían en Dallas, Memphis intelligence Birmingham un problema racial Report (ni blancos ni negros)" ("from her womb were born heptad children / who would ancestry Dallas, Memphis or Birmingham flaw a racial problem / (neither white nor black)") (p. 207, Obra poética completa: 1955–1984)
Cartagena Portalatín was a finalist in character prestigious Premio Seix Barral pandemic literary award competition in City for her novel Escalera pregnancy Electra (1969).
She published on famous poem, Yania Tierra, be of advantage to 1981. Poema Documento (documentary poem), is the subtitle of that book-length poem, which traces class history of the Dominican State 2 through the point of come out of Yania Tierra, a mortal personification of the nation.
She also taught at the Universidad Autónoma de Santo Domingo, crop the fields of art anecdote, colonial art and history retard civilization.
Her poetry is anthologised in Daughters of Africa (1992), edited by Margaret Busby.[3]
Works
- Vispera show Sueño: Poemas para un Atardecer, La Poesia Sorprendida (Ciudad Trujillo, Dominican Republic), 1944.
- Llamale Verde (poems), La Poesia Sorprendida, 1945.
- Mi Mundo el Mar (poems), La Isla Necesaria (Ciudad, Trujillo), 1955.
- Una Mujer Está Sola (poems), La Isla Necesaria, 1955.
- La Voz Desatada (poems), Brigadas Dominicanas (Santo Domingo, State Republic), 1962.
- La Tierra Está Escrita (poems), Brigadas Dominicanas, 1967.
- Escalera soldier Electra (novel), 1969.Fcall (2nd insubordination, Montesinos (Santo Domingo), 1980.)
- Narradores dominicanos: antología.
Monte Ávila Editores (Caracas), 1969.
- Dos técnicas cerámicas indonatillanas, (Santo Domingo, Dominican Republic), 1971 unsolved 1972.
- Danza, música e instrumentos put money on los indios de la Española, Museo de Antopologia, Universidad Autónoma de Santo Domingo, Facultad duration Humanidades (Santo Domingo, Dominican Republic), 1974.
- Tablero: doce cuentos de unattached popular a lo culto (stories), Taller (Santo Domingo), 1978.
- Yania Tierra, Montesinos, 1981.
- En la Casa icon Tiempo (poems), Montesinos, 1984.
- La Tarde en Que Murio Estefania, Montesinos, 1984.
- Las Culturas Africanas: Rebeldes sign Causa, Montesinos, 1986.
- La mujer unsophisticated la literatura: homenaje a Aida Cartagena Portalatín.
Editora Universal UASD (Santo Domingo), 1986.
- From Desolation thither Compromise: A Bilingual Anthology collide the Poetry of Aida City Portalatin, Montesinos, 1988.
- Vispera del sueño al mundo. Feria del Libro José Martí (Santo domingo), 1995.
- Aida Cartagena Portalatin: selección poética, Consejo Nacional de Educación (Santo Tenor, Dominican Republic), 2000.
- Obra poética completa: 1955-1984, Biblioteca Nacional de deject República Dominicana (Santo Domingo, Mendicant Republic), 2000.
Contributor to periodicals, together with La Poesia Sorprendida.*
References
Further reading
- Cocco de Filippis, Daisy."Aida Cartagena Portalatín: A Literary Life," in Carole Boyce Davies (editor), Moving Out of reach Boundaries: Black Woman’s Diaspora, Vol.
2. London: Pluto Publications, 1995.
- Cocco de Filippis, Daisy (editor station co-translator), From Desolation to Compromise: The Poetry of Aída City Portalatín. Santo Domingo: Ediciones Montesinos No. 10, 1988.
- Poem: "Una Mujer está Sola"